Apr 03

April Art Exhibits- Tracy Gallery: Sheldon Statewide: “Shape Up! Visualizing the Geometric World”

Sheldon Statewide: “Shape Up! Visualizing the Geometric World”

 

Sheldon Statewide, now in its thirtieth year, is the longest running exhibition and educational outreach program at the Sheldon Museum of Art. We are pleased to announce its return to the Tracy Gallery this month.

Sheldon Statewide is an annual exhibition and outreach program through which original artworks from the museum’s collection travel to communities across the state. Since its inception in 1987, the exhibition series has reached 300,000 people in 24 Nebraska communities.

This year’s exhibit is titled, “”Shape Up! Visualizing the Geometric World.” Mathematics and art have teamed up for millennia to bring about some of the most important discoveries, technological advancements, and artwork ever created. Although young learners in today’s classroom often move between distinct spaces for the study of mathematics and the practice of art, the two fields have historically been paired to produce radical results.

This annual Sheldon Statewide exhibition features projects that blur the boundary between these disciplines and speak to the potential for productive partnerships. Shape Up! includes original works of art made over the last 150 years and is presented in four sections geometric abstraction; geometry and the built environment; geometry and the natural environment; and the geometricized body. Each subtheme provides a framework for exploring the diverse and innovative ways artists use geometry to visualize the world around us.

 

Hinds Gallery: Nebraska 150 Photographs from 93 Counties

Gallery 92 West is proud to partner with the Keene Memorial Library to bring the “Bridges” Exhibit to Fremont! Endorsed by the Nebraska 150 Commission as a “Signature Event,” the show promises to link history, generations and cultures as it travels across Nebraska for the state’s sesquicentennial celebration in 2017.

Hildegard Center for the Arts, in collaboration with the Nebraska Tourism Commission and the Nebraska State Historical Society issued a call to amateur and professional photographers to capture images of historic sites or hidden treasures from all 93 counties across Nebraska. The intent of this juried exhibit is to serve as a BRIDGE to connect Nebraskans with their culture and heritage.

The photographers were also invited to share photos that had a community or personal significance to help tell Nebraska’s story. One photo from each of the 93 counties was selected for this statewide photo exhibit. A yearlong trek across the state will ultimately end at the Durham Western Heritage Museum in Omaha.

Over 800 entries were received, and two of our own FAAA members’ works were chosen. Congratulations to Brian Weber and Angela Carroll! Thirty of the show’s Winning Photos will be featured on our walls. A video presentation of all 93 county photographs will also be on view.

In conjunction with the exhibit, a lovely “coffee table book” has been produced. Nebraska: 150 Years Told Through 93 Counties, by the Omaha World Herald’s David Hendee, will be available for sale at the Reception on April 7th.

The Keene Memorial Library will also have copies of the book for checkout. To compliment the exhibit, the library has gathered a collection fo books about Nebraska, each of its counties and our shared history.

Representatives from the Hildegard Center for the Arts will sharethe details of creating this exhibit at the Reception, as well as at this month’s Third Thursday Luncheon on April 20th.

 

The Loft: ANAC (Association of Nebraska Art Clubs) Selection Show

 

 

The LOFT Gift Shop has been transfomed this month to feature the FAAA ANAC Selection Show, an annual juried competition. Over 25 of our members have entered work in a wide range of media.

Omaha ceramicist, Jesse Ross, will serve as the judge. Winning artworks from this show will go on to compete at the State Conference, held June 7th-10th in York, Nebraska. The judge’s comments and awards will be presented during the Artists’ Reception on April 7th, at 6:15pm.

Jesse Ross received his MFA in Ceramics from the University of Nebraska-Lincoln. In the 13 years since then, he has taught at colleges and universities in and around Omaha. his eclectic experience as an instructor includes 2D and 3D Design, Drawing, Painting, Sculpture, Ceramics and more.

In 2012, he and Tracy Shell launched Clementine Porcelain Inc., a wholesale design and production company specializing in slip cast porcelain tableware. They currently serve retail clients throughout the US and beyond. Ross is also the Ceramics Technician at the Union for Contemporary Art in Omaha.

The Reception for the April Exhibits will be held Friday, April 7 from 5:00-7:00pm

Mar 01

March Art Exhibits- Tracy Gallery: Fremont Public Schools K-12 Art

Fremont Public Schools K-12 Art

 

Youth Art MonthCreative works from the K-12 art students of Fremont Public Schools will be on display in the Tracy Gallery during March. This multi-media exhibit highlights Youth Art Month, a national celebration sponsored by the Council for Art Education, and happily supported by the Fremont Area Art Association.

The annual celebration emphasizes the value of art education for all children and encourages support for quality art programs. The program recognizes skills developed through visual arts experiences

unlike any other curriculum subjects, including:

  • Problem Solving

  • Creativity

  • Observation

  • Communication

 

Students from Fremont High School, under the direction of Mara Hornig, Amy Gillespie and Jennifer Gay; Fremont Middle School, grades 7 and 8, taught by Axton Kahler ; Johnson Crossing Academic Center, grades 5-6, taught by Andrea Rockeman and Geoff Semrad; and 7 elementary schools, grades K-4, guided by Jesse Kiefer, Julie Bristol and Jennifer Trapp are participating in this year’s Youth Art Month exhibit.

Please join us in recognizing these wonderful young artists and their teachers at the Artists’ reception on Sunday, March 5, from 1:00-3:00pm.

Hinds Gallery: 44th Annual National AgWeek Posters

The Fremont Area Chamber Agriculture Business and Natural Resources Council and Cleary Building Corporation are the proud sponsors of the “How I See Nebraska Agriculture” art contest. Gallery 92 West is hosting an exhibit of the children’s art work in the Hinds Gallery during the month of March.

Judged by some of our Member Artists, the top three entries will be awarded prizes in the following age groups: grades K-1, grades 2-3. All of the contest entries will be on display throughout the month of March.

Recognizing agriculture’s importance to Fremont’s economy, and promoting stewardship of natural resources, this show is just one part of the 44th annual National AgWeek celebrations.

An Artists’ Reception and announcement of Awards, sponsored by the Cleary Corporation, will be held on Saturday, March 18 from 1:00-3:00pm at Gallery 92 West.

 

The Reception for the Ag Poster Exhibit will be held Saturday, March 18 from 1:00-3:00pm

Jan 31

February Art Exhibits- Tracy Gallery: The Paintings of Robin Zagurski

The Paintings of Robin Zagurski

Robin Zagurski is an artist, therapist, and social worker living in Omaha, Nebraska. She beganpainting in 2009 after many years of attending tothe spirits of others and neglecting her own. She initially began working in acrylics, but now works extensively in wax mediums. She enjoys working in cold wax and oil paint for the sheer joy of smooshing paint around. Her works focus on the luminosity of color that can be brought out by the wax when applied to a paper surface. She has found that wax allows for a freedom of experimentation that she had not found in acrylics.

Zagurski’s art has been shown at the Encaustic Art Institute in Santa Fe, New Mexico, and at the Niza Knolls Gallery in Denver, Colorado. She has a studio at the Hot Shops in Omaha.


Hinds Gallery: Effects of PTSD Paintings by Elizabeth Boutin

In 2014, I allowed access to a chapter of my life which had been tucked away for years…

From 2003-2006 as a military spouse, one of the many places our family was stationed included Ramstein Air Base in Germany. In 2005 I had the honor of becoming an American Red Cross Volunteer for Landstuhl Regional Medical Center. I helped the nurses tend to our soldiers who were wounded during Operation Iraqi Freedom, and Operation Enduring Freedom, it exposed me to the soldiers’ wounds, both external and internal. Each day I volunteered there were so many faces, so many stories, and so many wounds from too many soldiers. Using a journal helped me cope with my experiences at the hospital. This was my first encounter with Post Traumatic Stress Disorder (PTSD). Anxiety, long endless stares, sadness and depression were just a few of countless symptoms witnessed at the hospital.

On November 5th 2010, PTSD became even closer to me than I could ever have imagined. A good Army friend of mine took his life due to PTSD.

To this day, I have friends who suffer from this disease. Soldiers have difficulty after a deployment adapting back into society. They can’t sleep, take numerous medications, drive cautiously to the store, or jump at the slightest sound of a loud noise. They struggle every day.

In 2014 I began to open my journal and display it…on canvas. Effects of PTSD is a series devoted to expressing just that, the effects. The objects used in the painting can be recognized by the viewer, but represent symbolize a deeper meaning. While studying Art History, I was intrigued by an early 17th century genre of still-life paintings in the Netherlands known as Vanitas. These collections of paintings and the objects within held symbolic meaning—some of artwork takes on different meanings; usually the title leads the viewer to these meanings.

The use of oil paint affords a liberality to mix colors and a lengthier drying period. Painting in oil allows me to soften certain areas on the canvas with the help of a soft, dry brush. For this series the use of certain colors are found in all of the paintings. The color Paynes gray is used mainly in backgrounds, so the viewer experiences a more subdued feeling. The color of Payne’s gray, not too bright and not too dark does that, it is, plus it makes the viewer take in what they see in the foreground of the work. Yellow ocher. can be seen in highlights and shading on certain subjects in the paintings, helping to push out the subject within the painting but quietly, not vibrantly. I work with transparency and opacity. I don’t mind having the canvas appear through some of my subject matter, especially in areas requiring the color white, or areas of texture. Letting the brushstrokes be seen mostly in the backgrounds of the paintings, gives a sense of movement.

My time at LRMC will always be a part of me and someday my journal from paper to canvas will be complete.The use of representation and symbolism in my work will continue in my paintings. Becoming an art historian and an artist has enabled me to express my encounters at LRMC and utilize these tools to bring awareness for the audience in my series Effects of PTSD.

Please join us for an Artists’ reception for the February Gallery Shows  it will be held FRIDAY, February 10th, from 5-7 p.m.

Jan 02

January Art Exhibits- Tracy Gallery: French Impressionism




Edouard Cortès and Antoine Blanchard

This month, we are pleased to present a rare treat—a selection of
French Impressionist paintings on loan to us from a private collection.
The majority of this exhibit features the work of two contemporaries,
Edouard Cortès and Antoine Blanchard. Both artists painted many
scenes of Paris in all its glory.

For most of the late 19th and early 20th centuries Paris was the
bustling heart of the art world, a thriving metropolis teeming with ideas
and innovation that drew collectors and artists from all corners of the
globe. Edouard Cortès was a French post-impressionist artist known as
“the Parisian Poet of Painting” because of his diverse Paris cityscapes in
a variety of weather and night settings.

Cortès was born in 1882, in Lagny-sur- Marne, about twenty miles
east of Paris. His father had been a painter for the Spanish Royal Court.
At the age of 17, Edouard began his studies at the École des Beaux-Arts
in Paris. His first exhibition in 1901 brought him immediate recognition.
Edouard Cortès became the city’s lyrical recorder, capturing the delicate
intonations of its light, the fickleness of its weather, the passing seasons,
its market stalls, and crowded streets with Impressionistic delicacy. He
was a prolific painter who found, in the many visitors to the city, a huge
demand for his work.

By the 1950s his works still showed horse-drawn carriages and
styles of clothing long-vanished from the real streets of Paris. When
asked why, he stated that he wished simply to halt history at 1939,
before the trauma of the Second World War changed Paris irrevocably.
Life is there, under his brush, in the shadow of the historical heritage
whose monuments stand out as symbols.

Antoine Blanchard is the pseudonym under which the French
painter Marcel Masson painted his immensely popular Parisian street
scenes. He was born in a small village near the banks of the Loire and at
age 22, moved to Paris to join the Ecole des Beaux-Arts. He won the
coveted Prix de Rome.

Like Cortès, Antoine Blanchard essentially painted Paris and the
Parisians in bygone days, often from vintage post cards. He painted the
same Paris landmark many times, in different weather conditions or
various seasons. The most recurrent topics were views of the capital city
on cloudy or rainy days, showing streets busy with pedestrians in a rush
to go home, and bright storefronts reflecting on wet streets. Many of the
subjects and scenes he portrayed were taken from images he collected of
Paris during the 1890’s.

One Art Historian said his works “are a marvelous invitation to an
ideal walk through old Paris, so different from that of to-day. Although a
large number of historical monuments remain, today’s Paris has little in
common with Paris at the turn of the century; In his paintings, Blanchard
invites us to relive this period by showing us pleasant strolls along
embankments, squares and boulevards at a period in Parisian life when
time did not count, when one had all one’s time to idle, to stroll along the
streets, to window-shop, to walk quietly along the boulevards or spend
the afternoon in a sidewalk café.”

Like his contemporary, Édouard Cortès, Blanchard devoted his
artistic career to the depiction of Paris through all its daily and seasonal
changes. He was not an imitator of Cortes, but rather depicted the life of
Paris at the turn of the century from his own point of view and with his
own, unique style.

Please join us for this once in a lifetime opportunity to view these
exquisite French paintings on exhibit through January 29th.

Take a virtual stroll through the Bell Epoque– turn of the century Paris, at the
Opening Reception on Friday, January 6 from 5:00-7:00p.m


Hinds Gallery: Fremont Public Schools Elementary Art

What happens when the Fremont Public Schools Art Specialists
enter the kindergarten through 4th grade classrooms in our
elementary schools?

Wonderful things!

Early exposure to the fine arts (including visual arts and
performing arts programs) promotes healthy activity in the brain.
In the elementary years, children begin to develop important
aspects of self-concept. At this age, they begin to make social
comparisons. These comparisons help them to understand who
they are and their place in the world.

Through art courses students are encouraged to communicate
their thoughts and ideas in a way that is clear and representative
of their personal ideals and beliefs. Participating in Art activities
helps students to gain the tools necessary for understanding
human experience, develops tolerance and respect for others’
ways of working and thinking, and the refines of creative problem-
solving skills.

The kids learn about artists, the Elements of Art (space, line,
shape, form, color, value and texture); they learn about different
media and techniques. They are able to express themselves in
ways no other school subject allows.

Fremont Public Schools Art Specialists Julie Bristol, Jesse Kiefer
and Jenny Trapp enter the classrooms, inspiring wonderful works
of art. This select show is representative of work created daily in
the elementary schools of FPS. Stop by to view the young artists’
work – there is nothing else quite as insightful, and full of the
personality of the children.

It’s guaranteed to put a smile on your face!

Please join us for an Artists’ reception for the January Gallery Shows  it will be held FRIDAY, January 6th, from 5-7 p.m.

Nov 29

December Art Exhibits- Hinds Gallery: Barb Gallaher & Darlys Vande Voort (Dar)

dec-16-1 dec-16-2 dec-16-3Barb Gallaher

Barb Gallaher received her BFA, majoring in Jewelry and Silversmithing, from the University of Kansas in 1979.  She incorporates materials in combinations of gold, silver, copper, and various precious gemstones, utilizing many silversmith techniques into the creation of her jewelry, such as forging, repousse, chasing, and casting.  Gallaher’s work varies in style of Modern, Art Nouveau and Organic in Nature.  “I am always striving for balance in my designs, and it is important to me that I magnify God in the work I do, for which He truly gave me the gift of design.”

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Darlys Vande Voort (Dar)fullsizerender-1fullsizerender

Darlys Vande Voort (Dar) is originally from Pella, Iowa and has been in the area for 20 years. She works from her home studio in Council Bluffs, IA, and from Studio #215 at the Hot Shops Art Center in Omaha. She is also a member of the Artist’s Cooperative Gallery in the Omaha’s Old Market. Dar has always been involved in the arts by teaching private lessons, group workshops, in schools, and in art therapy classes for special needs clientele. She enjoys participating in public art projects, and has several large sculptures displayed across the country. VandeVoort specializes in portraiture, and periodically incorporates puzzle pieces into her work.
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Bristol Gallery: Kathryn Schroeder

Kathryn Schroeder is a ceramic artist and teacher who creates pottery designed to bring joy, reflection, and ingenuity to daily routines and domestic spaces. She is currently enrolled in the MN NICE program at the Northern Clay Center and earned a BFA from The New York State College of Ceramics at Alfred University. She was born and raised in Omaha, NE and grew up in the heartland, valuing things smartly made by hand.

“I overlay functional forms with surfaces designed to symbolize our changing social landscape. The interaction of different color clays, glazes, and terra sigilatta is critical to the tone of my work. Terra sigilatta harkens back to limited technology that makes clever use of simple, available materials. I repurpose the trimmings of different clay bodies into terra sigilatta, just as a quilter repurposes family fabrics into a new quilt. Overlapping these, using resists, creates shapes with sharp edges that have tension, and shows the layers of clays dissolving into glazes demonstrating release. I hope that my work will remind people to open up and reflect about what is happening around us, as good pottery always speaks about people and place.”

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Please join us for an Artists’ reception for the December Gallery Shows  will be FRIDAY, December 9th, from 5-7 p.m.

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